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An American avant garde composer, who takes his inspiration from the most upstart composers of recent times, had a piece performed last night at Carnegie Hall, titled “Making Popcorn.”

The Boston Pops Orchestra, which commissioned the piece, left the stage to make way for the performance.

Stagehands then wheeled out a popcorn-making machine and prepared it for the performance by filling it with dry corn, butter, and salt.

When the machine was “tuned,” the composer entered to conduct his own work. Taking the podium, he raised his baton and the machine was switched on. When the first kernel popped, he gave a firm downbeat and then continued to conduct as the kernels popped away. The piece concluded when all the popcorn had contributed its sound.
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If a lone, unkempt, person, standing on a soapbox were to say that he should become the Prime Minister, he would have been diagnosed by a passing psychiatrist as suffering from this or that mental disturbance. But were the same psychiatrist to frequent the same spot and see a crowd of millions saluting the same lonely, shabby figure - what would have his diagnosis been? Surely, different (perhaps of a more political hue).

It seems that one thing setting social games apart from madness is quantitative: the amount of the participants involved. Madness is a one-person game, and even mass mental disturbances are limited in scope. Moreover, it has long been demonstrated (for instance, by Karen Horney) that the definition of certain mental disorders is highly dependent upon the context of the prevailing culture. Mental disturbances (including psychoses) are time-dependent and locus-dependent. Religious behaviour and romantic behaviour could be easily construed as psychopathologies when examined out of their social, cultural, historical and political contexts.

Historical figures as diverse as Nietzsche (philosophy), Van Gogh (art), Hitler (politics) and Herzl (political visionary) made this smooth phase transition from the lunatic fringes to centre stage. They succeeded to attract, convince and influence a critical human mass, which provided for this transition. They appeared on history’s stage (or were placed there posthumously) at the right time and in the right place. The biblical prophets and Jesus are similar examples though of a more severe disorder. Hitler and Herzl possibly suffered from personality disorders - the biblical prophets were, almost certainly, psychotic.

We play games because they are reversible and their outcomes are reversible. No game-player expects his involvement, or his particular moves to make a lasting impression on history, fellow humans, a territory, or a business entity. This, indeed, is the major taxonomic difference: the same class of actions can be classified as “game” when it does not intend to exert a lasting (that is, irreversible) influence on the environment. When such intention is evident - the very same actions qualify as something completely different. Games, therefore, are only mildly associated with memory. They are intended to be forgotten, eroded by time and entropy, by quantum events in our brains and macro-events in physical reality.

Games - as opposed to absolutely all other human activities - are entropic. Negentropy - the act of reducing entropy and increasing order - is present in a game, only to be reversed later. Nowhere is this more evident than in video games: destructive acts constitute the very foundation of these contraptions. When children start to play (and adults, for that matter - see Eric Berne’s books on the subject) they commence by dissolution, by being destructively analytic. Playing games is an analytic activity. It is through games that we recognize our temporariness, the looming shadow of death, our forthcoming dissolution, evaporation, annihilation.

These FACTS we repress in normal life - lest they overwhelm us. A frontal recognition of them would render us speechless, motionless, paralysed. We pretend that we are going to live forever, we use this ridiculous, counter-factual assumption as a working hypothesis. Playing games lets us confront all this by engaging in activities which, by their very definition, are temporary, have no past and no future, temporally detached and physically detached. This is as close to death as we get.
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Every celebrity out there knows the real value of a pair of designer sunglasses. Whether it’s to hide the effects of a late night out on the town or an effort to blend in on the street, a pair of quality sunglasses is absolutely indispensable. We’ve seen a lot of trends come and go, but a great pair of sunglasses will always transcend the passing fads of the day.

With the summer just around the corner, we have begun our fashion trend spotting efforts for 2006. Like years passed, celebrities are on the forefront of eyewear fashion. One of my favorite pastimes is to monitor the fashion trends of my favorite celebrities. As with last season, big sunglasses are all the rage for the ladies. God bless you, Jackie O!

Carmen Electra is one of my favorite celebrities, and one of the most stylish women in entertainment. While I could do without another season of her dreadful “reality” television show, I am dying to get my hands on a pair of the Missoni shades she was recently spotted in. They are oversized and oh-so-glamorous!
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